Museo de Bellas Artes, Sevilla

This museum opened in 1841 with works the state confiscated from convents and monasteries. It’s even in a building that used to be a convent. Today, its exhibits still contain the confiscated materials along with private donations and acquisitions.

We arrived at opening time – the first visitors (and pretty much only visitors the whole time we were there).
One of the courtyards. This space was very soothing. Too bad Toronto doesn’t have the climate for this kind of thing.
Is that a well?
The kids are burning around this maze – good thing we were the only visitors in the museum.

The works in Room 3 focused on artists in the 16th century.

Head of John the Baptist by sculptor Gaspar Nuñez Delgado. Felix’s expression is priceless – he had sooooo many questions about this one 🙂

Room 4 focused on naturalism.

Reading about what they’re seeing.

Room 5 is all about 17th century Sevillian art, in particular Bartolomé Esteban Murillo who lived between 1617 and 1682.

Checking out the ornate ceiling
Mom and baby
Dad and baby
Saints Justa and Rufina, two potters from Triana, painted around 1665 by Murillo.
Immaculate Conception of the Eternal Father by Murillo around 1668. See the dragon in the bottom right?
We thought it looked more like a wolf than a dragon.
Moving on and up.
Peeking in the keyhole

Room 6 is about the Baroque period.

The kids were tickled about the spelling mistake and correction.

Room 8 was dedicated to the painter Juan de Valdés Leal.

Room 9 is dedicated to European Baroque painting.

Vista of Sevilla
The kids tried to count the sailboats
And called out the many unique details in each of the little battles
Hide and seek – what are we looking for in the room dedicated to the works of Francisco de Zurbarán?
I do not have a good answer for why the dragon is there.
Ever try to explain religious symbolism to a 9, 10 and 11 year old without incurring a gazillion additional questions?

Room 11 is about 18th century Sevillian painting.

Can I play it Mommy?
Earthquake stopped by the intercession of the image of San Francisco de Paula by Lucas Valdes around 1710. More questions about the realism of this piece.
Miraculous Portrait of San Francisco de Paula by Lucas Valdes around 1710. “Mommy! Is that guy dead? Why is a bird man painting a dead guy?”
Mystery chest with drawers. When you’re the only visitors, the security guards can really make sure you don’t touch!

Room 12 – the 19th century. This showcased daily life works and we spent the most amount of time in this room despite being extremely hungry.

Nolan came back to this one repeatedly and wondered how the artist was able to produce it. Portrait of Señora Carriquirre by Antonio María Esquivel around 1850
Interior of a house in AragĂłn by Valeriano Dominguez Becquer in 1866. “What are they eating?”
Dance by bulerias by José Garcia Ramos in 1884. Bulerias is a fast flamenco rhythm.
This looks like a photo! Vista de Sevilla (1893) by Alpériz
Triana (1888) by Emilio Sánchez Perrier. This was everyone’s favourite – looks nothing like this today!
Gonzalo Bilbao depicted the Interior of the Tobacco Factory (1911). This is a far cry from what it looks like today as a University.

Room 13, and we’re now in the 20th century focused on Sevillian painters.

Witch Tale (1910) by Nicolás Jimenez Alperiz – just look at her!
The Fisherwoman – Rafael Senet (1885). “Can we have fish and clams for dinner?”
Lunch spot outside the museum.

From art in the museum to art on the street. The flamenco dancers are back!

Time to cool down on the rooftop terrace.
Love his face 🙂
Drying and warming up.
Neil’s day — with hot chocolate and beer.
10.6 km for the day.

1 comments on “Museo de Bellas Artes, Sevilla

  1. a good introduction to art appreciation. Spain must have kept its treasures from their golden age.

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